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CD - Masaya Kato & Miwa Okuno / Notes For The Mutation

CD - Masaya Kato & Miwa Okuno / Notes For The Mutation

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Masaya Kato & Miwa Okuno / Notes For The Mutation

1. Anaphora

2. Scan

3. Elision

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Miwa Okuno (dance) Masaya Kato (sounds)

Mixed & Mastered by Masaya Kato

MATTER021

 

Masaya Kato & Miwa Okuno "Notes For The Mutation" from mAtter on Vimeo.

The sounds of breathing and rubbing of clothes during improvisation by dancer/choreographer Miwa Okuno, the parallel Fender Rhodes performance by Masaya Kato. and the sound of unrecorded empty open-reel, 8mm film, VHS, and other magnetic media. The layer composed of noise, the environmental sounds of amorphous objects such as water and wind, and the pauses between each of these elements are all considered equivalent values, and by reconstructing them into a piece of music, each elements is established as a single “phenomenon” that melds into the space. Furthermore, the “phenomenon“ itself, vaguely formed by the dissolution of the self-identity of various elements, where body is body and material is material, contains the expectation that it will lead to the acceptance and affirmation of the arbitrariness of existence as a poetic sentiment.

ダンサー/振付家として活動する奥野美和による、インプロビゼーションの際に発生する呼吸音や衣擦れの音、それに並行し加藤雅也によるフェンダーローズ演奏、未録音の空のオープンリールテープ・映画用8mmフィルム・VHS等の磁気メディアの持つノイズによって構成されたレイヤー、水や風といった非定形物の環境音、そしてその各要素間における間合い、それらすべてを等価値と捉え曲へと再構築させる事でその各要素は空間に溶け合う一つの「現象」として成立し、更に身体が身体であり、物質が物質である、という諸要素の自同律の瓦解により朧げに形作られたその「現象」自体が、詩情として存在の孕む恣意性への受容と肯定に繋がる事への期待が本作には込められています。

 

 

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